Part I – 2016 Reflections
I hate the passage of time, as I believe that every moment should count, but I’m willing to make an exception in the case of 2016, which took so many beautiful and creative talents from us. As if it could not get any worse, we lost George Michael on Christmas day (My wife and I were reflecting that I gave my son George Michael as middle names today). This followed the tragic losses of Prince, Bowie, Carrie Fisher and so many more people during the year. 2016 has been such a crap year in so many ways. I recorded my thoughts about 2016 overall in an Advent Blog for Kate Griffiths-Lambeth, so there is no need to repeat them here. Suffice to say, I have been blessed to interview Prince family members such as Ida Nielsen, Marcus Anderson, Sheila E and George Clinton in 2016 and before. In 2017 I am planning a Worldwide Prince Photographic Exhibition with Maverick Productions, currently touring The Rolling Stones “Exhibitionism” as another tribute to the genius of Prince.
But all things must pass and I’m marking the end of 2016 by giving a LIVE performance of Purple Rain at Battersea Arts Centre from 12 midnight – 2 am, after a two hour Vinyl Prince DJ set – the story of how this came about is a great example of the power of networking. I met DJ Nick, driving a van on a busy street in the City of London. Nick called out to me from then van, recognising my Prince Symbol T-Shirt. After a brief exchange, I left a card and ran, since I was in danger of being run over by angry drivers as I stood in the middle of the road!! To my surprise, Nick e-mailed me to explain his evening job as a DJ and now we are collaborating on this venture. I’m hopeful it may lead to other things in my day job at The Academy of Rock delivering events around the world.
Battersea Arts Centre is also a fascinating venue. Partly destroyed by fire in 2015, the centre showcases some of the most amazing creative talents. It’s very much in the mould of my work on improvisation, by operating a “scratch” methodology as part of its “ladder of development” for new work. Performances are shown at various stages of development to an outside audience, whose input and criticism guides the further evolution of the work. Scratch has been adopted as far afield as Sydney and New York and Battersea Arts Centre has successfully sparked new approaches to creativity across the globe.
What then does 2017 hold in store for us? I’m going to leave that part of this blog until Part II. For now, here’s the end piece of a performance I did in Italy to honour Prince, at an impromptu aftershow for 300 people after a keynote on improvisation in business. Admittedly, nothing compares with the real thing but I did my best …
Part II – Towards 2017
I have two global hopes for 2017 – Firstly, that our obsession with war will diminish. Aleppo stands as yet another monument to humanity’s inhumanity. Secondly that we will turn back from “mob rule” as characterised by the election of Donald Trump and our own Government’s Brexit. A sub-goal for me in terms of contribution to society is the SIX B’s :
“Break Brexit Before Brexit Breaks Britain”
In business terms, my plans for 2017 include:
- A new book for Routledge, focusing on how we will respond to a society where intelligence are the main ingredients of personal and business success. Read more about it at Brain Based Enterprises.
- I’m hoping to deliver consultancy assignments in Greece, Italy, the USA and make a return to Mauritius.
- And the Prince Photography Exhibition will be a major legacy project, to honour his memory. One of the images from the current Exhibitionism project is shown below:
Peter Cook leads Human Dynamics and The Academy of Rock. Author of 7 1/2 books on Leadership, Innovation and Creativity. Find his current books on Amazon which include cameo articles and insights from Prince and other music giants.