Jacob Rees-Moog is the third song in the “Rage Against The Brexit Machine” collection and is a rather unusual number. Not so much a song, rather a groove. If you remember the song “19” you will get some idea of where this song takes it’s lead from.
If you want to pollute your fields, eat chlorinated chicken, burn lightbulbs of any wattage, put your children down the mines, insist that women who have been raped should have the children and so on then Jacob Rees-Moog is the groove for you. Recorded on 18th Century retro Korg and Moog synths and analogue Theramins. We can guarantee that lots of electricity was used and that women and children were neglected during the recording of the song …
Jacob Rees-Moog was produced in an experimental exponential synthesiser laboratory after eating excessive amounts of chlorinated chicken and gorging on English Mead and Port plundered from the colonies. The piece features star of Channel 4 News, Madeleina Kay, some samples from the Moggster in “Full English Brexit” mode and an obligatory Siamese cat called Boris. The pussy was paid less than the minimum wage for the work and now scrounges from food banks, having been disowned by Jacob, due to being “foreign”. Of course, all of the above is “fake news” in keeping with the zeitgeist of the age 🙂
Jacob Rees-Moog or “JRM” as it is known on the Latin speaking dance floors of Ibiza, Chew Magna and Midsomer Norton is an entirely new genre of music : ECTSTF or “18th Century Tory Synthpop Trance Floor”. JRM “celebrates” a post Brexit world of gratuitous land pollution, the sublimation of women, flower border control, slavery, the return of the penny farthing and Stephenson’s Rocket as national transport, re-introduction of ricketts, typhus and plague as national diseases, Latin as the national language, nationalised jam making, the use of the Cutty Sark as the Royal Yacht and Britain’s role as a major warring nation.
Mortem Parca affert, opes rursus ac facultates aufert