Catch The Rainbow

Ritchie Blackmore … then

I made a rare pilgrimage to the O2 Arena last night to see a life long hero, Mr Ritchie Blackmore.  I say a rare pilgrimage, as I find the sound and vision at the O2 to be generally appalling and I was not disappointed at this concert.  O2 have previously caused my son untold problems over their legendarily bad administration and I freely admit that I therefore have a grudge – see O2 OMG.  That aside, I find the acoustics and size of the O2 quite inconsistent with a live band experience and had previously vowed never to go again after seeing Prince there in 2007.  In this case I felt I had no choice, so I got on my bike and cycled 30 miles for the experience and am overall pleased I went to see a man who remains a major influence on my approach to music and, indeed, my overall attitude to life.

But all is not lost – thanks to the generosity of a fellow traveller we have some better quality sound and visuals from the front of stage. See Rainbow Rising at the O2. But I want to move on to a story, as Ritchie Blackmore was influential in helping me secure my first job offer at Shell ….

Rainbow Rising

I went to a Grammar School, essentially a factory for Oxbridge students.  But I did not want to go to university. My parents were 45 and 67 when I was born and were not especially affluent – my dad was 85 by the time I was 18 and I felt I needed to get a job rather than go to University although there was no pressure from them to do so. Of course, I was completely ostracised by the Grammar School for making such a decision. The so-called “careers master” (also the gym teacher) said “well, laddy, tell me when you have got a job” when I told him I did not want to go to University. So I set about looking for one  …

I was mad about Chemistry and Music as a child. So I applied to the two major employers in the area – Shell and The Wellcome Foundation. I was invited to an entire day of interviews at Shell (who were noted for extremely progressive employment policies at that time). Looking back at the day I was sat before PhD after PhD, who showed me complex chemical reactions on a chalk board and asked how I would solve their greatest problems. Needless to say I doubt I answered any of the questions correctly! When asked about my interests, I recall boring them endlessly about Ritchie Blackmore’s use of medieval “modal scales” as a differentiator in Deep Purple’s music and the 16th Century in general.  In other words, I bored them with my obsession and they theirs. I used to spend hours at the top of the stairs with my record player slowed down to 16 RPM trying to figure out what he was playing … until my mum shouted me to come down and eat my fishfinger sandwiches …

Modal scales and Fish Fingers – the breakfast of champions …

To my surprise I was offered a job at Shell, having bored them rigid with my music obsession and not really been able to operate as a PhD chemist with an A Level, although I eventually took the one at Wellcome (another story). I suspect that they felt my passion for the music and nerdiness. They must have given me the benefit of the doubt that I could actually do the work. Thank goodness that there were no HR people in sight.

Richie Blackmore … now

Back to the concert. For me, Blackmore’s guitar style has matured over the years, with rather more Bach that Screaming Lord Sutch about his performance these days. Many more melodic classical progressions inspired by his love of classical music, rather less random improvisation and brutality. The sound, as I said, was hampered by the size of the venue, which is why I’m so grateful to the man at the front who filmed it. I think The O2 would have helped themselves by training three cameras on the stage and back projecting the results on the screen to give those far away at least some opportunity to see the action, especially given the quality of the visuals for the show. You can find the set list and many of the performances at Rainbow Rising at the O2. A great highlight of the show was “Soldier of Fortune” played on acoustic guitar, although marred by whoops and shouting from the crowd. An added bonus was to see The Sweet, a band who were strongly influenced by Blackmore when they were playing their own songs such as “Sweet FA.” with a wink and a nod to “Hard Lovin’ Man” by Deep Purple. Lest we forget the majesty of Mr Blackmore:

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Peter Cook is  a business speaker who blends deep insights on strategy, innovation and business creativity with parallel lessons from music. An author of 7 1/2 books on business. Read his article on Deep Purple and Improvisation and more on Ritchie Blackmore at The Music of Business and Sex, Leadership and Rock’n’Roll.

 

Halloween ROCKS

DATELINE: Halloween SATURDAY 31 OCT 2015, 3.00 – 3.45 pm

I’m launching the first in a series of inspirational events at The Virgin Money Lounge in London’s Haymarket. I will be hosting an interview, Q&A, meet and greet and guitar masterclass with Bernie Tormé, legendary guitarist with Ozzy Osbourne and Deep Purple’s Ian Gillan, a former Virgin Records’ artist. This is part of Bernie’s UK Tour to mark the launch of his new album “Blackheart”. Book yourself into the event at the Virgin Money Lounge, prior to Bernie’s gig at London’s Borderline on the same evening, where I’ll be joining him on stage for a few numbers. Come to the party !!

ONLY 15 Spaces left – book your place at the lounge via e-mail peter@humdyn.co.uk

Bernie’s tour is itself unusual in so far that it has been entirely funded by his fans all over the world using “crowdfunding”. Fans paid in advance for albums, t-shirts, guitar lessons, jam sessions with the band, studio experience days and even formed a “virtual gothic choir”, singing into their phones and having their voices transposed onto some of the album tracks in the studio.

What did Bernie learn from working with The Osbournes?

As it is Halloween, no doubt Bernie will be performing various pagan rituals to celebrate saints and sinners in the deathly hallows of rock. Only joking !! Do expect to hear some sonically unique guitar playing informed by Jimi Hendrix amongst a cast of giants, plus Bernie’s unique fusion of the blues, psychedelia and traditional Irish folk music.

Innovators in business and music – Jobs, Hendrix, Branson and Clapton – artwork by the very talented Simon Heath @SimonHeath1 

We will also be discussing lessons from life on the road with the Prince of Darkness himself, Mr Ozzy Osbourne and Deep Purple’s Ian Gillan, a former Virgin Records’ artist. There is much to learn in business and leadership from the School of Hard Knocks and Bernie’s insights are priceless.

This is the first of a series of events for Virgin. We have follow up events booked with Jess and the Bandits, currently touring the UK and the nation’s TV screens and others with Aaron Keylock, Joanne Shaw Taylor, Patti Russo, Meatloaf’s singing partner and, who knows …. Come Lounge With Me on Halloween. It’s not about the money … it’s only rock’n’roll but you will like it – I presently learning “No Easy Way” from “Glory Road” in preparation for a possible guitar duelling session …

Punk Rock Money – Banking with Attitude

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Some of Bernie Tormé’s insights into the creative process and an interview with Sir Richard Branson feature in our forthcoming book for Bloomsbury, Leading Creativity, Innovation and Enterprise. Order your copy now by clicking the image:

HARD ROCK, BLACK HEART

I have just received a copy of Bernie Tormé’s new album BLACKHEART – I’m mightily impressed. Bernie goes on tour at the end of October – get your tickets NOW:

Thu 22nd Oct Keighley, Yorkshire The Octagon 01274 562252

Fri 23rd Oct Troon, Ayrshire, South Beach Hotel 01292 312033

Sat 24th Oct Edinburgh, Bannermans 0131 556 3254 

Wed 28th Oct Frome, Dorset Cheese and Grain 01373 455420 

Fri 30th Oct Birmingham, Institute, The Temple 01865 798797

Sat 31st Oct London, Borderline 020 7734 5547 – I’m treating this as a social evening as I’m playing on one of the numbers with Bernie and the band – how cool is that? – get your ticket for the party!

Sat 7th Nov Oxford, The Wheatsheaf 01865 721 156

Wed 11th Nov Newcastle, The Cluny 0191 230 4474

Thu 12th Nov Liverpool Liverpool Arts Club 0151 559 3773

Sat 14th Nov Brighton, The Prince Albert 01273 730499

An original power trio - Christian Hellmann, Bernie Tormé and Ian Harris

An original power trio – Christian Hellmann, Bernie Torme and Ian Harris – in Church searching for their souls

What strikes most people about Bernie’s work is most often the guitar playing which is extraordinary. What also struck me about the album was the songwriting and lyrical content as much as the great musicianship. There are three sorts of songs on the album – straightforward hard rawk and roll, hard rock ballads and some rather nice folk music.

In the hard rawk and roll category we have songs like 1985, Golden Pig and On Fire. Bernie moans “I’m a slave to the rhythm, the keeper of the flame” – so true. Every time I visit his studio there always seems to be some kind of fire …

Keeper of the rawk and roll flame ....

Keeper of the rawk and roll flame …. Mr Tormé

I love the ballads, “Flow”, “Into the Sun” and “Party’s Over” – these feature a choir made up of Bernie’s fans who sang into their phones and sent the individual recordings over for mixing into the final cut – an ingenious idea from Bernie’s crowdfunding project. “Party’s Over” is simply not long enough and features a Dylanesque harmonica and a guitar solo to die for, slightly reminiscent of something Mott The Hoople might have done. After all Ian Hunter was Dylan speeded up 🙂 “Flow” features a haunting motif that eventually moves into a Zeppelinesque grind with a guitar sound and performance that is truly imaginative for a classic three piece.

And we have some traditional folk songs, perhaps inspired by Bernie’s Irish homeland. “Miles to Babylon” and “Steady Roller Blues” which has a haunting mystical quality. In both cases the songs break out into rock after their acoustic beginnings from the old country (Kent).

The production is also great – crystal clear, loud and with everything louder than everything else! We had direct experience of this when we pledged towards the project with a mini album of Be-Bop Deluxe songs and just recently when I brought Dr Andrew Sentance’s band Rock In The City to Bernie’s studio to record two songs about Macroeconomics in a day. More on that later.

So, get yourself a copy of the album and book into the tour. I’ll be in London on 31 October for some beer and rawk n roll. Listen to Bernie live on Salford City FM on Wed 16th September at 11 am in conversation with Tom Hughes.

Here’s our interview with Bernie from last year for his previous album release:

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For our work combining music and business contact us via The Academy of Rock. Order our new book “Leading Innovation, Creativity and Enterprise” via Bloomsbury.

The School of Hard Rocks

There have been many high points in 2014.  In business terms, the partnership with Nadine Hack’s Global Network is a major landmark in our development as a global consultancy business.  I won a prize for my work from Sir Richard Branson and we’ve enjoyed consultancy projects in Estonia, Ireland, Romania and Germany in 2014.

I’ve had equivalent joy in my musical life at The Academy of Rock – interviews with George Clinton, Roberta Flack, Hawkwind, John Mayall and, recently, performances with Meatloaf’s female singing partner Patti Russo and Bernie Tormé, guitarist for Ozzy Osbourne and Deep Purple’s Ian Gillan at London’s prestigious Borderline venue.  It is to this experience that I turn in this blog to reflect on lessons from “The School of Hard Rocks”.  Here’s a video of our performance of Jimi Hendrix’s “Fire” to start us off:

There was no time to rehearse for this performance, save for a three minute soundcheck a few hours before we hit the stage. For me this mirrors the situation that many managers face when having to deliver a presentation or performance. What then can we learn from this in terms of transferable lessons from the Borderline to the boardroom?

Learning from The School of Hard Rocks

Over-prepare to be flexible – In my case there was no rehearsal and only about five minutes to find out how the band works as a team before the soundcheck – how it sends signals to each other, who is responsible for shortening / lengthening the song, how leadership passes from one member to another and how we end together etc. I had assumed this might be the case so I took the trouble to attend one of Bernie’s other gigs on the tour to study the musical performance. I’d also used Bernie at one of our corporate team building events so I had some idea of how he “passes the baton” from person to person during a jam, although he is not as demonstrative as Ritchie Blackmore or Prince, so careful attention is needed.

Learn to read others – Once on stage, I could not hear myself as Bernie has an old school approach to making sure “everything is up to 11”. A lot of the necessary adjustment has to be done through using your eyes and not your ears in such circumstances. The musical people amongst you will notice there are a couple of moments in the middle of “Fire” when I had misunderstood how many bars we would do in “E” and in “D”. Towards the end, politeness meant that Bernie and myself were unclear on who would take the lead and you can see some “guesswork” going on between me, Bernie and the band. Ah well, not so bad after the three minute soundcheck I guess! 🙂

Be nimble, be quick – Bernie only did one number as a soundcheck – it was pretty much the same when I performed at Brands Hatch with “Punk Idol” John Otway a few years’ back and Patti Russo the other week at Henley Business School. In comparison, I recently stood in for an amateur band at a corporate event and they used 30 minutes to run through numbers – this is not what a soundcheck is for – the clue is in the title.

Expect the unexpected – The one thing I failed to prepare for was the need to climb on stage. All seemed well at the soundcheck, but once the venue filled, I was unable to get to the side of the stage where the stairs were. Once I was called to the stage, I proceeded to climb what seemed like a mountain without success, eventually needing to be hauled up by the band in a scene that looked like something from “Spinal Tap”. Ah well it caused some amusement!

BT Peter Borderline

A proud moment – Mr Tormé and me at The Borderline after I clambered to the stage in a shambolic Spinal Tapesque manner!!

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Peter Cook leads Human Dynamics, offering better Organisation Development, Training and Coaching. He offers keynotes that blend World Class Leadership Thinking with the wisdom of the street via The Academy of Rock – where Business Meets Music. Author of seven books on Business Leadership, acclaimed by Tom Peters, Professors Charles Handy, Adrian Furnham and Harvey Goldsmith CBE.

Hard Rock Heaven

Wednesday 29th October is a red letter day in my calendar as I have the great honour of playing a song at London’s Borderline with Bernie Tormé, former guitarist for Ozzy Osbourne, Atomic Rooster, Dee Snider and Ian Gillan. I’d be delighted to see some of you along at the gig and tickets are still available via Hard Rock at The Borderline.

Bernie funded the project through a crowdfunding approach and the project also donates money to a Teenage Cancer Trust. It just now needs to reach Bernie’s own personal target of 666% – the number of the beast! There are still just 6 days, 6 hours and 6 minutes to support the project. Bernie is offering a host of exclusive items in return for your support:

  • Guitar masterclasses in person or via SKYPE
  • An acoustic gig in your own house
  • VIP meet and greet at any one of his UK tour dates
  • Signed copies of the new album plus boxed set of catch up albums
  • The Fender Stratocaster that Ozzy Osbourne gave him

… and a number of other stunning offers.  Please check out the project via Monster of Rock – Bernie Tormé.

666 - the number of the beast ... still available to buy

666 – the number of the beast … still available to buy

 

Performing with someone of this magnitude throws up a number of issues regarding how you learn to work with a team when there is no opportunity for practice. This presents a huge potential risk for Bernie as it is his reputation on the line. But he need not worry ….  here is my list of transferable tips for high performance, be it hard rock heaven or hard work hell:

Tips for Spontaneous Combustion

Do the hard graft – Learn your piece inside out, forwards, backwards and then forget that you learned it – I’ve been allowed to suggest the tune we’ll play – Probably Manic Depression by Jimi Hendrix or something similar.  I chose this as I know Bernie loves Hendrix and it is sufficiently fluid to allow us to stretch out a little on the song. Check it out:

Understand the rules of engagement – In this case that means understanding how musical leadership passes around the band if we are to jam a little and keep things together.  I’ll have just a little time to study this at the sound check or maybe at Bernie’s garden party, to find out if it is the drummer who signals the end or Bernie himself and other matters of a practical nature.

Bernie - Peter Fire

Hire Bernie to come to your company and give a talk / play some music – we promise not to spontaneously combust anything unless you have asked in advance for it ….

Read the signs and signals – I’ve seen Bernie play before and worked with him at Corporate Functions, so we already have some understanding of our body language when communicating with the rest of the  band, re turn taking, stops, starts, finishes and so on. It’s very important to be emotionally intelligent when working with people in this way, not just living inside your own head but reading people around you. Music is such a good training ground for this – much better than management courses etc. as there is no rehearsal on stage.

Push the stop button – If you lose your way, just stop playing or turn the volume off. There are 3 other people playing who actually know what they are doing and the safety strap is to let them do just that if needed.

So, I’d love to see you at the gig on October 29th.  I have one spare ticket available in exchange for some assistance with getting to the gig from Kent and possibly a bit of filming on the night – contact me for details.

Tickets selling out fast - click the picture to buy yours now

Tickets selling out fast – click the picture to buy yours now whilst you can

To finish, here’s an example of jamming we did with cult punk rocker and two hit wonder John Otway at a Chartered Institute of Personnel and Development (CIPD) event at Brands Hatch – in this case, the band learned all his songs and then John joined us on the day itself.  We played half of one song and half or another and then John decided that we knew what we were doing …

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About the Author:  Peter Cook leads The Academy of Rock – Keynote events with a difference and Human Dynamics – Business and organisation development, training and coaching.  Contact via peter@humdyn.co.uk or +44 (0) 7725 927585.

Hard Rock Café

A holiday post today – less focus on business and a little more on music ….

I had the immense pleasure of attending Bernie Tormé’s garden party last night.  A 15 mile cycle ride made me all the more thirsty ….  Bernie has performed with Ozzy Osbourne, Ian Gillan, Atomic Rooster, Twisted Sister’s Dee Snider, plus he leads his own rock band GMT.  He has an excellent recording studio in the heart of Kent and offers a full music engineering and production service.  Here’s some of Bernie’s work with Ian Gillan:

This year seems to be the year of garden parties.  Just a couple of weeks ago, Dr Andrew Sentance CBE played “Fiscal Cliff” at his garden party where we jammed our way into a long hot summer evening.  Andrew is former member of the Monetary Policy Committee at The Bank of England and has been tremendously supportive of our approach to cross disciplinary business development using parallels from the world of music.

 

Later this year, we are planning a series of masterclasses for the University of Kent School of Art and Music.  Bernie’s work will feature amongst the offerings:

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Screen Shot 2013-08-24 at 09.54.42

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Bernie also made a cameo appearance in our song Fiscal Cliff, attacking me on stage and setting light to one of my guitars to destroy a model of Stonehenge.  I am very grateful for these attacks ! 🙂  Enjoy the holidays …

3M : Meatloaf, Macroeconomics and (Iron) Maiden – Rock’n’Roll Business hits the FT and The BBC

This week, I’ve prepared a round up of press articles on business, management, economics and music.   Starting with Bruce Dickinson from Iron Maiden, who has just opened an enterprise business in Wales, to service aircraft and provide jobs for 800 people in tough times.  The Financial Times covered the story:

Can I play with madness? Iron Maiden enter the fray to help fix the economy

Dickinson sounds a Mc Kinsey consultant who attended a ‘mass customisation masterclass’ and a ‘lean 5S programme’ when he says of the new aviation centre “We will tailor our services completely to the needs of our customers and we won’t employ more people than we need”.  To be fair, he makes his point much more clearly than a management consultant who swallowed an MBA for breakfast! 🙂  That said, I don’t see Dickinson’s business acumen embedded in the lyrics of Iron Maiden’s songs, such as “The number of the beast” or “Two minutes to midnight”, even after I played them backwards …  Why did I not learn more about entrepreneurship, business continuity and economic development when I attended Iron Maiden’s comeback tour at Twickenham with my testosterone-filled 13 year old son?  We must be told …

Moving on to Andrew Sentance, Senior Economics Adviser to Price Waterhouse Coopers.  I will be featuring a full interview with Andrew shortly, but could not resist a trailer in the form of this witty piece on Meatloaf and the economy from The Evening Standard.  Andrew stands head and shoulders above the consultancy profession with his approach, which is thoughtful but also incisive.  A rare breed.

“3M” : Meatloaf, Macro-economics and Management

Without realising it, Andrew had followed an earlier piece I wrote for The Financial Times, and another I wrote which got picked up by BBC Radio 4’s flagship “Today” programme.  Here’s the article and the Radio clip:

I’m delighted to say that the FT letter prompted a US University Academic to get in touch with me.  It turned out that he had spent three years sharing a college room with Jim Steinman.  I have performed a couple of times with Meatloaf’s female singing partner – she sang on “I’d do anything for love (but I won’t do that)”.

For more posts on the economy, see Vince Cable, Can rappers fix the economy? and Evan Davis, who I bumped into the other week whilst jogging round London.  Perhaps Evan is entering the Olympics?

To finish, let’s hear that classic Iron Maiden song again to see if there is any subliminal advice about the 3A’s of regeneration:  Aerospace, Aeroflot or Aerosmith contained within, 666, the number of the beast:

Postscript – The FT published a letter I sent in re this on Tuesday 8 May:

Can I play with madness (and the economy) ?

For more like this, read the book “The Music of Business”, acclaimed by Harvey Goldsmith:

 

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