A Love Bizarre – Interviewing Sheila E

Sheila E

A Love Bizarre – Some days at work just don’t get any better

Can the end of a week in business get any better than this?  We just interviewed Sheila E. Sheila Escovedo is a world-class drummer and percussionist whose credits read like chapters in a music history book: Ringo Starr. Marvin Gaye, Prince, Beyoncé, Herbie Hancock, Diana Ross, Lionel Richie, Gloria Estefan and George Duke.

It was quite clear to me that rhythm is genetically imprinted into Sheila’s DNA and her family who performed with Carlos Santana amongst others. It was a pure delight to talk with Sheila. Amongst the many things we discussed were:

  • The central part that the musicians at the back of the stage play in making sure the music reaches everyone and the people at the front of the stage look even better.
  • The role of a musical director in bringing balance to a musical ensemble. Sheila acted as Musical Director for Prince – that’s no mean feat!
  • How creativity works in music and how to get better at what you do through embracing the rich diversity of your chosen artform.
  • Sheila’s collaborations with her father, George Duke and many others.
  • Sheila’s book The Beat of my own Drum, her recent album Icon and her new club, The E Spot
  • Sheila’s work in schools, bringing the joy of music to underprivileged children and her community project Elevate Oakland.
  • The importance of incubation for creativity, sometimes over long timescales.

Take a look at the full report and the exclusive film interview over at our Linkedin Page.

Who said girls can't play the drums?

Who said girls can’t play the drums? Click on the picture for the book

The concert at The Brooklyn Bowl was superb and it was a great pleasure to get past the ‘facebook pages’ and actually meet the organiser of the Purple Army group Pippa Roberts and the woman that has given them so much assistance Debbie Poli.

Some of Sheila' supporters from The Purple Army

Some of Sheila’s supporters from The Purple Army – photo credit Marcus Docherty

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Sheila E and Eddie M burning down the house – Photo Credit Leena Khanna

Sex Cymbal - at the Brooklyn Bowl

Sex Cymbal – at the Brooklyn Bowl

For now, just take a look at some of Sheila’s video output:

And for some more on the importance of rhythm in music, business and life, see our interview with Chris Slade of AC DC.  I was delighted to present Sheila with a copy of my book “Sex, Leadership and Rock’n’Roll”, even more delighted when she said she had seen and heard of it before!  Next week, I’m taking the BBC’s Robert Peston for a meeting with Mr George Clinton, so I’m expecting another masterclass in creativity from the Godfather of Funk.

The Leader of the Band - It was pure pleasure and a private joy to talk with Ms Escovedo

The Leader of the Band – It was pure pleasure and a private joy to talk with Ms Escovedo

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Our new book on Leadership, Innovation and Creativity is scheduled for 2016 release.

In the meantime, do order your copy of the NEW edition of “The Music of Business” – Parallel lessons on Business from Music.

Come to our showcase event June 9th, featuring The Godfather of Punk, Richard Strange.

Anarchy in the UK

Screen Shot 2015-04-02 at 10.19.38I’m delighted to announce a groundbreaking once in a lifetime event that examines Punk Rock as a “disruptive innovation” and crosses this over to the world of work.

Come to our special event on Tuesday June 9th evening in Kent, where I will be speaking on punk rock and disruption and working alongside The Godfather of Punk, Mr Richard Strange.  Richard has worked with Jack Nicholson, Tim Burton, The Sex Pistols, Martin Scorsese, Grace Jones, Sophia Loren, Tom Waits, Marianne Faithful, Jarvis Cocker and Damon Albarn, as well as appearing in Harry Potter, Batman, Mona Lisa, Men Behaving Badly, Robin Hood and Gangs of New York.  The event will feature keynotes, interviews, film and a cameo music performance of Richard’s work across 38 years from The Doctors of Madness and beyond.

I will be launching the 2nd edition of my anti-establishment book about the establishment at the event.  Expect some irreverent and possibly irrelevant ramblings about the crazy world of work, punctuated by a few punk rock riffs. I may also be accompanying Richard on a few numbers from his canon of work with The Doctors of Madness.

Tickets are just £10 and strictly limited in numbers via Punk Rock.  Get yourself a copy of the ludicrously short but succinct book Punk Rock People Management – A manifesto for faster and better humane relations via The Cultured Llama.

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Welcome Constraints

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In the film It Might Get Loud, guitarist Jack White says that technology makes us lazy and laziness is bad for creativity. He is right. My first guitar cost £10, the strings stood about an inch (slight exaggeration but not much) from the neck which made my fingers work much harder to play the instrument than normal. As a result, people tell me that I can bend strings an incredible amount akin to Dave Gilmour of Pink Floyd, even though I don’t use particularly a light gauge of strings.

White often uses low-quality instruments to force him to play differently, although the Gretsch he is pictured with above is not one of them!  He says:

“If it takes me three steps to get to the organ, then I’ll put it four steps away. I’ll have to run faster, I’ll have to push myself harder to get to it.”

This is something I completely understand as a musician and a scientist.  Some of the best music I made was written using poor equipment where there had to be some kind of struggle to extract something from it.  I spent a lot of time in the 1980’s and 1990’s chaining reel to reel tape recorders together, reversing and splicing tape to create sounds that had never been heard before.  Admittedly a few of these nobody ever wanted to hear again either!

Contrary to popular opinion, constraints are useful for creativity in all walks of life.  James Dyson would not have invented the Dyson vacuum cleaner if he had not become frustrated at his vacuum cleaner which “did not suck”. Isambard Kingdom Brunel would have not built the Great Western Railway without feeling frustrated that he could not get to Cornwall quickly, and so on.

The Clifton Suspension Bridge - one of the many of IK Brunel's achievements

The Clifton Suspension Bridge – one of the many of IK Brunel’s achievements

It’s important to separate what I call “real constraints” from “imaginary ones”.  A real constraint might be a law of physics, an imaginary one simply an assumption such as a way of doing things that has become a habit or paradigm within an industry. In my own experience, I was partly responsible for developing the world’s first AIDS treatment.  A real constraint was that of time.  We needed to collapse the traditional drug development process time to bring the drug to market as quickly and safely as possible.  At that time Wellcome was renowned for making tablet formulations and this would have been our “paradigm response” to the situation.  In the event, we elected to formulate the product as a capsule, something we were very inexperienced with but which would deliver the quickest route to market. This committed us to a rapid learning programme of work to develop the product. In doing so we eliminated the artificial constraint of “we always do it that way”.

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When we design creative thinking sessions for companies seeking to rethink their strategy, products, services and internal processes, I like to boundary the topic under study with the real constraints that surround it.  These should not be too many – too many constraints tend to stifle ingenious thinking and no constraints tend to produce unfocused creativity.  Some disagree with me on this, saying that creative thinking should be a no holds barred affair.  Long experience in working with people and companies that look for commercial creativity i.e. ideas that have utility suggests that this is wasteful and often does not lead to execution as the ideas developed do not pass the obstacles that are in the way of execution. The theory of constraints is well documented and mostly forgotten by people who think only about the positive side of business improvement.  I wrote recently for Sir Richard Branson on this topic in terms of the internal barriers to innovation and you can read the post at Virgin.

For many years, I’ve used my “fried egg model” to describe the essentials needed to specify a problem or opportunity that is amenable to ingenious thinking.  I was delighted when Charles Handy told me he had thought of something similar for his book “The Empty Raincoat” but later decided it was too fanciful.  The fried egg model requires there to be enough “thinking space” between “the demands or goal” and “the constraints” to provide an arena for productive creativity – “the choices”.  This is why it’s a fried egg and not a boiled one sliced through the middle!  Here is the fried egg I always carry in my bag alongside my computer as I’m sure we all do …

The Fried Egg Model - Demands, Constraints, Choices

The Fried Egg Model – Demands, Constraints, Choices

Andy Wooler offered me this excellent additional example of the use of constraints from the world of music via Arnold Schoenberg’s use of “Serialism”, of which one expression is the twelve-tone technique. We wouldn’t have the magnificent “Rite of Spring” without it. The technique requires that all 12 notes of the chromatic scale are sounded as often as one another whilst preventing the emphasis of any one note. This constraint did not get in the way of exciting music and some thought it was a breath of fresh air. Of course, as it is music, not everyone agrees!

To finish, here’s that first guitar that taught me the value of constraints – I was hold it was a Hofner Futurama by the insurance salesman that sold it to me for £10.  It was heavily modified with “Brian May” Burns Trisonic pickups which were its crowning glory.  It taught me to be strong!  I eventually managed to buy another one for a similar price although his one was so bad in construction and playing that I had to take a saw to it.  It was 1977 after all – the year of punk!

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Guitar Book Collage

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Peter Cook leads Human Dynamics, offering better Organisation Development, Training and Coaching. He offers keynotes that blend World Class Leadership Thinking with the wisdom of the street via The Academy of Rock – where Business Meets Music. Author of seven books on Business Leadership, acclaimed by Tom Peters, Professors Charles Handy, Adrian Furnham and Harvey Goldsmith CBE. Connect with us on our Linkedin Company Page and join our group The Music of Business where we discuss parallel lessons from Business and Music.

Bemoaning the blues

Peter Cook - Speaker and Writer on Business and Music:

Inspired by David D’Souza’s latest post on the HR Tribunal hearing for Bruno Mars, here is another blues inspired piece of satire …

Originally posted on Peter Cook's Musings - The Music of Business:

Following on from my piece on the business blues I just had to post this fantastic piece of blues satire that was sent to me from Clarksdale MA

Blues Singer’s Woman Permitted To Tell Her Side

MS–Ida Mae Dobbs, longtime woman of Willie “Skipbone” Jackson, called a press conference Tuesday to respond to charges levied against her by the legendary Delta blues singer. Ida Mae Dobbs, woman of blues singer Willie “Skipbone” Jackson

“Despite what Mr. Jackson would have you believe, I am not an evil-hearted woman who will not let him be,” Dobbs told reporters. “I repeat: I am not an evil-hearted woman who will not let him be. To the contrary, my lovin’ is so sweet, it tastes just like the apple off the tree.”

Dobbs, accused of causing Jackson pain and breaking his heart by calling out another man’s name, categorically denied treating him in a low-down manner.

“He says he sends for his baby…

View original 601 more words

Season’s Greetings

Festive greetings. As in previous years, we prefer to give money to charity instead of giving Christmas cards. This year we are giving our main donation to Demelza House Hospice – a charity that helps terminally ill children live out their remaining days in comfort and dignity.  We are combining our donation with the proceeds from the sale of our song written in honour of Prince earlier in the year. There’s still time to buy the song and donate to the cause if you wish: Bandcamp – 18 and over version, Bandcamp – Bleeped version

Demelza Hospice - a worthy cause that rocks

Demelza Hospice – a worthy cause that rocks

We have also made a donation to the Wikimedia Foundation – knowledge is such a valuable asset in our quest to make the world a better place.

In the meantime, here is a piece of music I composed and recorded for Christmas in my basement. The piece is themed around Cats and Snow – enjoy !!  All the very best for 2015 :-)

John Peel – 75 years of innovation

John Peel's record collection - Click on the picture to find out more

John Peel’s record collection – Click on the picture to find out more

John Peel would have been 75 years old this year. I was reflecting on his impact on me both musically and on my approach to life and here are five things about Mr Peel that stand out for me – what are yours? Write me a letter or make a comment here, or even send me a piece of new music to listen to ….

1. Stay Young and Keep in Touch – So many people only like music at a certain time of their lives – the 60’s, 70’s, 90’s etc. and they are prone to saying things like “All music is rubbish now” when they should simply say “I only listened to music between the ages of 14 and 23 and I’m a creature of habit so I’m on repeat from now on”. One of John’s teachers said of him:

“It’s possible that John can form some kind of nightmarish career out of his enthusiasm for unlistenable records and his delight in writing long and facetious essays…”

2. Refuse to be ruled by metrics – Peel refused to be influenced by ratings or playlists. Instead it was the “John Peel brand” that made the ratings. You never knew what you might hear on one of John’s shows and that in itself produced the listeners which he needed to satisfy BBC bosses.

3. Support innovators – John would break new acts that would otherwise not receive radio play. Amongst these he was responsible for bringing my friend Bill Nelson and Be-Bop Deluxe to the attention of music lovers. Some years later, Bill captured Peel’s Liverpudian tones in the introduction to his “Modern Music Suite” . Listen to the full piece, which features John Peel and Tony Hancock in the opening section of the suite:

Amongst a long list of artists and bands that owe their success wholly or in part to John Peel are: Pulp, The White Stripes, Mike Oldfield, Nirvana, The Strokes, Bauhaus, The Doctors of Madness, P.J. Harvey, The Smiths, Bernie Tormé, Led Zeppelin, Queen, Pink Floyd, Jimi Hendrix, Bob Marley, The Cocteau Twins, Bill Nelson, Marc Bolan and T.REX, The Slits, The Cure, The Undertones and Billy Bragg.

The manner of John getting to know Bragg was rather unconventional. Bragg heard John say he was hungry on air and rushed in with a Mushroom Biryani and a copy of “Life’s a Riot with Spy vs Spy”. Peel went on to play a track from the album but at the wrong speed (Bragg’s albums were recorded loud and short to play at 45 RPM).

Mushroom Biryani - The Choice of Influencers

Mushroom Biryani – The influencing choice of champions

4. An anti-establishment member of the establishment – John Peel’s biography states that Peel was anti-establishment because he knew how the establishment worked – he’d been part of it and he didn’t like it. He attended public school in Shropshire, but was shy and quiet and he was frequently bullied for not fitting in. Instead of playing rugby, John rebelled with a choice selection of rare vinyl. It’s a feeling that resonates at my core. I went to a grammar school, hated rugby and suffered a degree of bullying for not fitting in, preferring to listen to music and obsessing about science – something of a geek by today’s standards :-) A great life lesson for innovators is to know the system you are trying to influence. John Peel knew what he had to do to keep the BBC just on the right side.

5. A Witty Life Long Learner

Towards the end of his life Peel had embraced hip hop, drum and bass and a number of other musical genres, never getting stuck in a musical paradigm. Eventually the BBC succumbed to ratings and Radio 1 decided to cut an hour of his show in favour of a Drum and Bass programme. Peel responded with his usual wit – read the full letter here and his parting shot to Matthew Bannister:

“Think of my programmes as your research department. Noisy, smelly but occasionally coming up with the formulae which you can subsequently market”

Peel’s attitude to most things was filled with a totally original wry sense of humour and irony – none more than with his views on his eventual death:

“I’ve always imagined I’d die by driving into the back of a truck while trying to read the name on a cassette, and people would say, ‘he would have wanted to go that way.’ Well, I want them to know that I wouldn’t”

Finally, an acrostic poem written in 2004 by my friend Dave Brooks and some video content of a few of the artists that John Peel broke including archive footage from Sir Richard Branson discussing John’s contribution to Virgin.

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Peter Cook leads Human Dynamics, offering better Organisation Development, Training and Coaching. He offers keynotes that blend World Class Leadership Thinking with the wisdom of the street via The Academy of Rock – where Business Meets Music. Author of seven books on Business Leadership, acclaimed by Tom Peters, Professors Charles Handy, Adrian Furnham and Harvey Goldsmith CBE.

Hollywood comes to … Wakefield

With the great Bill Nelson - continuously creative for more that 45 years

With the great Bill Nelson – continuously creative for more than 45 years

It was a rare privilege and a great pleasure to make a 12 hour round trip to Wakefield on Monday, to witness the artist, musician and friend Mr Bill Nelson receive a lifetime achievement award for his work in a ceremony that lasted less than 10 minutes.  The Wakefield Stars Scheme aims to acknowledge lifetime achievements of local people and the ambition is to pave the area all the way from the Bull Ring to The Hepworth Gallery with these Hollywood styled pavement plaques. Bill will be sitting amongst such stunning company as Henry Moore, the composer Noel Gay, John Godber the playwright, Barbara Hepworth, Sir Martin Frobisher, conservationist Charles Waterton and many others who made Wakefield’s mark on the world.

Bill has defied convention, setting his own path in a music world dominated by people who prefer to follow the latest fashion. Perhaps one of the first to start his own independent label Cocteau Records, Bill has always been at least two steps ahead of the world.  Admired by Sir Paul McCartney, Kate Bush, Brian May and many other greats.  An influence on people such as Prince, Big Country, Dave Grohl etc. and copied by post-modern acts such as My Chemical Romance and The Darkness.  You can read more on this aspect at Bill Nelson – integrity and creativity in a bottle.

Perhaps the most poignant moment of the ceremony was when Bill recalled that he had stood at the foot of the stage at around the age of four years old as his father Walter played the saxophone at a wedding. Bill had been given a toy saxophone to play along with his father! He has had some sadness in his life of late, as he is suffering from hearing loss. It was this news that compelled me to make the journey for what was less than an hour at the event, having connected deeply with Bill’s sense of frustration at the thought that he may not be able to make or hear music in quite the same way ever again. I also know that Bill will rise again as there are some wonderful things that can be done in this age to mitigate the symptoms that he is experiencing. It was also lovely to see Bill’s Mum who always looks fantastic, alongside Bill’s wife Emiko and the Nelson family – a proud moment for them.

I was reminded of scenes from “Dads Army” with the Town Clerk, as the Director of Culture and the Arts attempted to read his speech without any real knowledge of Bill’s work and his impact across the world! :-) Still, it was rather charming for all that and he made a really good effort despite his lack of knowledge of Wakefield’s finest. A little less time spent in strategic planning committees and more on the street is recommended :-) Bill pointed out that the last prize he won was a bar of chocolate for striking the triangle once in a performance when he was a boy! He has been hitting all the right notes ever since despite no formal musical education. Like myself, Bill claims he cannot read music, playing by ear and using intuition to guide him into new sonic territories. It’s a refreshing change to the ‘painting by numbers’ approach that turns out identikit musicians these days.

From Hollywood to Holyground ...

From Hollywood to Holyground …

In case you are unfamiliar with Bill’s work, here’s a sample of the huge diversity of his music. Check his website out at Bill Nelson and catch up with his output. This truly was an adventure in a Yorkshire landscape which was made in heaven … Sign your name with a star …

Here's hoping the Wakefield's Starman will rise again - Thank you for 40 years of continuous joy

Here’s hoping that Wakefield’s Starman will rise again – Thank you for 40 years of continuous joy. Stay Young