Talking Heads – An interview with Steve Peer

I was delighted to interview Steve Peer recently. Steve started life in a host of bands, ending up playing at CGBG’s with The Talking Heads alongside TV Toy, The Sex Pistols, Iggy Pop and so on.

He was asked to join Bill Nelson’s Red Noise and has a set of fascinating stories about how to work in the music business with transferable lessons for anyone trying to achieve success. Great insights for everyone.

Here’s a rare clip of the beginning of the 2nd Red Noise that not ever happened – Steve played drums on “Ideal Homes” and “Instantly Yours”.

And this is the wonderful John Peel introducing Steve’s band TV Toy.

Find TV Toy at

The Crown Vics at

Maid in Heaven – Bill Nelson releases ITV Legend’s Concert DVD

Click on the guitar for the ITV Legends DVD

On March 26th 2011 ITV filmed a special concert in London, featuring guitar legend Bill Nelson, leader of pop art bands Be-Bop Deluxe and Red Noise. Bill Nelson left high profile music some years back, due to his dislike of the music industry / media circus. However, his influence on modern music is immense. Admired by Paul McCartney, Big Country, Brian May, David Bowie, Kate Bush, Eno, Prince, The Foo Fighters, My Chemical Romance et al. I’m delighted to announce that the video of this unique evening at ITV Legends is now available on to buy on AMAZON. In case you are still wondering who Bill Nelson is, here’s some background.

Bill Nelson’s career started with 1970’s Art School band Be-Bop Deluxe, where he had considerable success with classic albums like Futurama, Sunburst Finish and Drastic Plastic. By the mid 70’s Be-Bop Deluxe were conquering America but Bill was disaffected by the celebrity lifestyle and its requirements of him. He disbanded Be-Bop Deluxe and formed Red Noise, a synth / new age band way ahead of its time, paving the way for 80’s acts like Gary Numan, A Flock of Seagulls and many others. Red Noise’s music was jagged and edgy, although it has undoubtedly stood the test of time, influencing artists such as Razorlight and The Kaiser Chiefs.

EMI dropped Nelson at this point since he refused to perform ‘more of the same’. Shortly after Bill pioneered Indie music, releasing albums made in his own studio on his own ‘Cocteau’ record label. Many of these home-made creations were of superior quality to what others have since recorded in the most professional of recording studios.

Bill Nelson’s heart is firmly fixed within the inventor’s domain, with a more or less continuous stream of musical creativity. Much of Bill’s work can be accessed through his website ‘Dreamsville’.

Nelson’s latest works are mostly lush ambient soundscapes, not typical of his recent ITV release, which is a must-have release for Be-Bop Deluxe / Red Noise / music lovers. Almost literally ‘maid in heaven’.  Here’s an example of Bill Nelson’s less commercial work, called Imperial Parade, taken from his recent performance at the Sheffield ‘Sensoria’ Arts Festival – music which owes no regard to an X-Factor culture.

I wrote a personal cameo about Bill Nelson, who I am proud to know, in the book Sex, Leadership and Rock’n’Roll, as he is a master of continuous creativity and reinvention. A copy of the cameo can be found at the Academy of Rock. A video comparing the reinvention qualities of Bill Nelson and Prince Rogers Nelson can be seen below: