It is one year since David Bowie left planet earth and it is indeed blue in the cold of January. Here are some links that mark Bowie’s extraordinary life:
It is one year since David Bowie left planet earth and it is indeed blue in the cold of January. Here are some links that mark Bowie’s extraordinary life:
Here is our 1:1 interview with Barry Ainsworth, the man who engineered Bohemian Rhapsody as well as records for people as diverse as Otis Redding, Dusty Springfield, The Kinks, Rush, Deep Purple, Toyah, Yes, Jack Bruce, Hawkwind, Sooty !! and a very long list of music acts from the 1960’s and 70’s. Filmed and produced by Rory Gill, freelance film maker. Barry and I are available to give talks on aspects of working with precocious talents and extracting their genius with transferrable lessons for businesses who are interested in innovation and creativity.
To whet your appetite, in this film you will learn about:
So, please view the film, comment and share it widely.
If you enjoyed this article, try some of our other work:
We’re very lucky to be interviewing Ida Nielsen, aka Bassida at Camden’s Underworld on Wednesday September 07, organised by Nigel Hart of Nitro Management. Ida has a new album out called Turn It Up. For the last 5 years was the anchor in Prince’s New Power Generation and 3rd Eye Girl until his sad passing at just 57 years of age.
Ida Nielsen hails from Denmark. She started playing bass at age 16, studying music at The Royal Danish Academy of Music. Ida is a multi-instrumentalist and in 2010 received an out of the blue invite to play with Prince which she assumed was a joke! She is something of a bass tech expert and an advocate of TC Electronics equipment, which a number of my friends also use in their rigs.
There will be a full report on my film interview with film maker Rory Gill and the concert after Ida’s performance. Her music is cool and funky. Ida’s bass playing combines beautiful low registers to reach your soul and a healthy dose of popping to excite your synapses. For now, read this interview about this all round musicologist at Bassida. Here’s two extracts from that piece on what she learned from working with Prince:
“I learned to play tight. He was so tight about making space in the music. There’s always a lot going on in my music, and I’m trying to clean it up because I know that’s what he would do. Not that I wasn’t playing tight before, but he taught me to not play all the notes in between that we bass players normally do. It’s a little bit like a drummer who is always rolling on the snare instead of keeping a tight, simple beat. Prince taught me to keep it simple. With my own stuff, I make everyone else play simple so I get all the space! 🙂
The first time I was in the studio recording with him, I was in shock because I found out he doesn’t use a click track. I was like…what? When you hear every record it sounds like there is a click because it’s so tight. It’s all about locking within the band and getting it that tight and I feel like that’s what it’s all about. I love the whole idea of, “we don’t actually need a click. It doesn’t matter if the tempo goes a little up or down as long as the energy and the life is there.”
Check Ida’s new album Turn It Up on iTunes.
Peter Cook leads Human Dynamics – offering long term development programmes on Leadership, Innovation and Creativity and shorter masterclasses and keynotes via The Academy of Rock, which uniquely fuses Business School insights with parallel lessons from the field of music. Author of 7 books on creativity and business – check them out at Amazon:
A few months back I conducted an intimate interview with Jordan Gray, Star of The Voice and with talents way beyond many artists I’ve ever seen in my life. Singer, songwriter, musician and performer all rolled into one, without any formal training in any of these disciplines. The interview offers transferable insights for anyone seeking to carve out their career as an entrepreneur in any field of endeavour. Jordan talks candidly about her life, learning her craft, managing fame, creativity, staying true to yourself and looking after her brand as a self-made musician and musicpreneur.
We also did a showcase event with Jordan at The Virgin Lounge in London. Here is a behind the scenes piece of music recorded at Pizza Express Jazz Club in preparation for the Lounge event
Check Jordan’s new album The Baffled King is out on iTunes. Jordan is currently on tour in the UK. Don’t miss a chance to see her perform live whilst you can. She has been described as wistful, whimsical, expressive, eclectic; the sky falls staggeringly short of the true limit for this peculiar pseudonymous superstar.
Filming and production by Rory Gill. Photography by Christina Jansen.
Come to our next series of free events at the Virgin Money Lounge, featuring Vicky Hamilton, former manager to Guns N’ Roses, Poison and Mötley Crüe. All details at Virgin.
Buy Peter’s new book out on innovation and creativity with Bloomsbury. Check out our full development programme for sustainable and profitable innovations.
I visited Poland to give a Leadership and Music Masterclass just recently. I also attended an after party with some of Poland’s finest musicians, who gave me CD’s of their music. One of them even supported me in giving a cameo performance at very short notice. Featuring superb playing by the band members and the sax work of Karolina Malwina (Candy Dulfer) Dąbrowska. Here are some samples of all the bands’ work:
Hanza – A superb hard rock band that has been around for two years. They play songs that rock hard with haunting vocals and have just signed a contract, for their debut album being released on September 11th 2015. Hanza played in a TV show “Świat się kręci” (“The world is spinning”) on national TV and played a show in the legendary SO36 club in Berlin, to incredible acclaim by both the crowd and the other bands.
Faith Healer – A band from the Netherlands – These guys rock hard. I watched some of the members perform some Whitesnake and Bon Jovi songs unplugged at the Pure Sky Club. Strangely I interviewed Bernie Marsden from Whitesnake just the other day. Faith Healer blend great vocal harmonies and metal hammerings in a melodic setting. Don’t call the doctor – just check their original material out:
The Rookles‘ band name is based on a fusion of The Rutles and The Beatles. The band write classy pop songs in this style with beautiful 3 part harmonies. Great pop music that honours its influences from the Fab Four, Squeeze, Elvis Costello and many more. Check their album Open Space out.
PrimeTime – Great band, great musicians and great attitude, the band has a particularly unusual vocal style. Comparisons are invidious but I heard some influences from some great indie bands of the 90’s coming through including The Cult. Check their song out Into The Sun”
Slimmotion – The closest comparison I could make was the Red Hot Chilli Peppers – not a bad comparison at all. Hard and funky. Oh that guitar sound and the open hat – just right for a good bit of moshing.
Killing Silence – Haunting songs that combine great vocals with a superb rhythm section which drive the songs along. Great bass playing and an almost theatrical performance and a nod to Dave Grohl in their sound and performance.
Unity – A classic rock combo with a superbly produced album called Promised Land. Love the song Godamn Bloody Kangaroo – a bit of a chilli pepper in this one as well. A bit of stadium rock in the song Lost Highway – David Coverdale meets Bon Jovi.
Order your copy of the NEW edition of “The Music of Business” – Parallel lessons on Business and Music. Or grab a copy of Sex, Leadership and Rock’n’Roll in Polish! Peter’s new book comes out in February 2016 with Bloomsbury – the home of Harry Potter.
Check our music and business events out at The Academy of Rock.
I’m performing again with Bernie Tormé, former guitarist with Ozzy Osbourne and Deep Purple’s Ian Gillan at London’s prestigious Borderline venue on Saturday October 31st. The concert is in support of Bernie’s crowdfunding project to record a new album. There’s just a few days left to get involved in this awesome project. We just recorded a four track EP at Bernie’s studio in one day. He has several guitar lessons left and you can even bring your band to jam with the man at his studio – spending a few hours with a master musician at an incredible price, plus albums, t-shirts and so on. Click on the logo to find out more:
Get yourself a ticket to this once in a lifetime event at The Borderline. Here I reflect on important lessons about high performance from my previous experiences in corporate life and the school of hard rocks.
Prepare if you want to be spontaneous
I had just a 3 minute soundcheck at Bernie’s last gig so there was no time to find out about the band’s “chemistry” on the night itself. Fortunately I had done some preparation beforehand to study all that was necessary to be a reasonably good team member without extensive practice. For me, this mirrors many situations in business life where there is no rehearsal time. The lesson is that preparation is key to spontaneity and high performance. It’s what Tom Peters calls the 10 000 hours effect.
A similar thing happened the other week at a leadership event I ran in Warsaw. Despite meticulous preparations by the organisers, we ended up arriving late for the event due to gridlock in the city. I always have a plan B, C and D for such situations, and we had to operate most of these in the event, including running the event ‘backwards’ whilst various items that had been promised were located. However, there is always something new to learn and I had not planned for an on-stage electrocution due to an earth loop! Fortunately it was only 48 volts. This is not what I really mean when I talk about High Voltage Performance!! The audience seemed to think it was all part of my act …
Relax, stay focused, be creative
On the morning of the main event in Warsaw, the promised guitar failed to arrive for a set of odd reasons. The MD of the Blue Sky Club arrived to tell me the news just 15 minutes before we were due to start in front of a large audience. He clearly expected me to throw a tantrum. Instead I told him it would be alright and then scratched my head. I thought I’d go and make some enquiries with some audience members who had been talking to me about instruments. Within minutes, it turned out that one of the delegate’s wives was Marketing Director for The Hard Rock Cafe (next door). We were promised a guitar and the show carried on. The lessons here are:
Be creative to reach your goal
So, whilst it’s nice when things go to plan, they don’t always and the smart money is on planning for sh…t to happen rather than making sh….t happen.
Book yourself a ticket to The Borderline for October 31st now and take a look at the great things on offer in Bernie’s latest crowdfunding project with Pledge Music. Bernie kindly credited me alongside Arthur Brown, Dee Snider and Ginger Wildheart on his last album release. This is the kind of testimonial that beats ‘happy sheets’ at the end of a course by a country mile and sits well alongside kind words from Harvey Goldsmith, Professor Adrian Furnham, Charles Handy, Bill Nelson, Sheila E and Tom Peters.
Peter Cook leads Human Dynamics and The Academy of Rock. Author of and contributor to ten books on business leadership, creativity and innovation. His latest offerings “Punk Rock People Management” – 2nd Edition and a NEW edition of “The Music of Business” may be ordered now.
Book your ticket for a great night in London at the Borderline on Saturday October 31 at The Borderline.
I’m delighted to announce the launch of a new edition of “The Music of Business”. Signed copies are available direct – simply mail me at firstname.lastname@example.org You can also order via Cultured Llama Publishers and all the usual places, or join us at the book launch event – details below. The book fuses MBA level lessons on strategy, creativity, innovation, leadership and change with parallel insights from the world of music. Here’s six themes from the book:
1. What can you learn from life in a rock band that is not taught on an MBA programme? I met with Metro Bank and Innocent Drinks last week and both of them pointed out that they hire for attitude above anything else, in common with Sir Richard Branson and Virgin. Generally speaking MBA programmes are a knowledge factory and don’t work on attitude. I’ve taught MBA programmes for nearly 20 years and worked with bands for longer than that so I’m well qualified to make this statement. The blend of MBA + Attitude is an almost unique combination, Professor Adrian Furnham, author of some 80 books on business psychology had this to say on the fusion:
2. How can you be truly adaptive? People talk of adaptive business and learning organisations but how can you truly develop a business that has chameleon like characteristics without losing the benefits of having a longer term posture? Despite my personal dislike for the Sat Nav in my Prius, Toyota remain an excellent company in terms of innovation and adaptability.
3. What can we learn from Brian Eno, David Bowie, Jeff Beck and jazz virtuosos about strategies for creativity? Creativity is identified as one of the most important skills for individuals and companies in the 21st century by the IBM study. Simplicity is just one of the hallmarks of what makes for creativity that turns into innovation. Simply stated:
4. What can we learn about the psychological concept of flow from music? Here’s a snippet from our masterclass on effortless mastery which is available in your company featuring the cello playing of Silvia Impellizzeri.
5. When innovating, how can you learn from musical concepts such as dissonance and consonance to help you design products and services better? We explore these and many other concepts in an engaging way without all the business jargon which makes the average business book dull. Larry Eliot at The Guardian and Perry Timms at the CIPD agree:
6. What can you learn about peak performance and other matters from Prince? I’ve been privileged to meet George Clinton and Sheila E this year, both major influences on Prince and outstanding performers in their own right. Prince seems to have an illuminated view on the theory of constraints.
Come to our launch party on the evening of Tuesday June 9th – featuring Richard Strange, Leader of underground proto-punk band The Doctors of Madness, an actor who has appeared in Harry Potter, Batman, Robin Hood and who has performed with Tom Waits, Peter Capaldi (Doctor Who etc.), Gary Kemp (Spandau Ballet), Marianne Faithful et al. Tickets available only from Book Launch Event, priced £10.
So, get hold of your copies of The Music of Business alongside it’s sister volume Punk Rock People Management. Or book us for a masterclass in your company with a celebrity guest, to make your event unforgettable.
I’m delighted to have been asked to host the book launch event of “Do It Yourself – A History of Music in Medway” by Stephe Morris next Thursday April 23rd at The Barge in Gillingham, a well known music venue in the area.
Medway, Mersey and Mississippi share a river and mud but perhaps that’s where the comparisons must end, although the river Medway did produce Chicory Tip, Billy Childish, Judge Dread, Wreckless Eric, Tracy Emin, Zandra Rhodes, Charles Dickens and Kelly Brook. It also produced David Frost, who attended the same school as I did but who escaped the towns as quickly as possible to the more cultured Cambridge.
Romanticism? Perhaps. Yet, as one reviewer points out there are little record shops in Texas that have a Medway section, and big ones in Hollywood that have one too, yet none have sections from the “twin rock towns” of Little Milton (Oxon), Milton Keynes and Horsted Keynes.
On the evening we’ll be receiving several readings from Stephe, I will be explaining how I replaced one of our drummers with a spin drier and there will be performances from several of the acts that feature in the book, including the great Nick Hughes, who fronted punk band Gash and who I performed with in glam pop art combo Cenét Rox. I will be performing a post punk sonic performance painting called “Beyond These Towns The Sweetest Dreams” in support of the book launch and selling copies of Punk Rock People Management and the new edition of The Music of Business if it is available. Robert Peston, the BBC’s Economics Editor is the latest person to receive a copy of Punk Rock HR last night when we took him to see The Godfather of Funk, Mr George Clinton.
So, come on down to The Barge, Layfield Street, Gillingham ME7 2QY next Thursday 23rd April at 8 pm for a cabaret of spoken word, music and mayhem. Bring your spin drier. We finish with some post punk prattling from the Pogues:
Our new book on Leadership, Innovation and Creativity is scheduled for 2016 release.
In the meantime, do order your copy of the NEW edition of “The Music of Business” – Parallel lessons on Business from Music.
Come to our next showcase event June 9th with The Godfather of Punk, Mr Richard Strange.
I’m off to give a conference in Estonia today where I’ll be giving a run down of 10 top tips about business from the parallel universe of music. To mark the occasion, here’s the first in a series of posts containing bite size tips about business from music. I’ve reframed the song titles in a creative way, sometimes outrageously so, to suggest some enduring business tips taken from the world of music rather than the longer winded approach of the business school. Take a look:
This is part of a book I’m releasing soon. Drop me a line at email@example.com for details.
About the Author: Peter Cook leads The Academy of Rock – Keynote events with a difference and Human Dynamics – Business and organisation development, training and coaching. Contact via firstname.lastname@example.org or +44 (0) 7725 927585.
I had the extraordinary pleasure of conducting a film interview with George Clinton at The Forum in London recently. Check out the film further down this article. In case you are not familiar with the legend that is George Clinton, here is a brief bio below: George Clinton was the principal architect of the genre of music that has come to be known as P-Funk, via his ensembles Parliament and Funkadelic. He is cited as one of a triad of most influential innovators in funk music alongside James Brown and Sly Stone. His music fused diverse genres such as Motown, The Beatles, Soul, Psychedelia, Classical and many more. Clinton has influenced several generations of musicians since such as The Red Hot Chilli Peppers, Prince, Primal Scream, LL Cool J, Digital Underground and Primus. He is widely cited as a major influence on the development of hip hop music. He ranks 2nd on the list of most widely sampled artists. What then can innovators in other fields learn from the CFO (Chief Funk Officer)?
Clinton on synthesis
Clinton is a synthesiser of musical genres, bending, breaking and sometimes smashing musical conventions as to what fits in to a particular genre of music. He loved The Beatles Sargent Pepper and could not see why this could not be fitted into soul and funk music. He loved Jimi Hendrix’s wild guitar playing and could not see why this should not be included into his music and so on. Unlike so many musicians that sit inside a genre, Clinton has been a fearless boundary crosser. This quality is a hallmark of great innovators, as much innovation comes from combination and synthesis of things which others do not see as fitting together. To do this requires not just a tolerance of mistakes but a positive passion for them.
Prince exemplifies the attitude behind synthesis:
“One time, George sends me a tape and says: You pee on it and send it back to me, and I’ll pee on it and we’ll see what we got”
Find out more in the film:
Clinton on dyads
There is a long history of creativity coming from the basic unit of two, or a dyad. In the music world good examples of diverse dyads are Lennon / Mc Cartney, Goffin / King, Simon and Garfunkel etc. In other walks of life we see the same, with James Watson / Francis Crick, who uncovered the structure of DNA; and Socrates / Plato. Often the dyad is successful because individual personality styles are different enough to induce what author and thinker Peter Senge calls “creative tension”. Bootsy Collins provided the essential element of difference / creative tension in George Clinton’s case although his ensembles also contained “engines of difference” by design.
Creativity can become more problematical when we get into large groups due to the complexities of communication that exists in such groups … but not with Mr Clinton …
Clinton on creativity and structure
George also breaks conventional rules of the rock / soul ensemble, which rarely consists of more than seven members, with Clinton sometimes having up to 40 people on stage. Paradoxically, such levels of freedom require an equivalent amount of musical structure / discipline, with musical leadership passing round the band and everyone paying extremely good attention to everyone else in order to deliver a seamless performance. The parallel at work is that you can work effectively in large teams if everyone is ‘in the groove’ and if all have excellent communication skills. It’s what George nonchalantly calls “Tag Team”. If only it were so easy to organise this for everyone else!
Clinton on business
George recently started a project called Flashlight 2013, to highlight the need for musicians, artists and songwriters to own the copyright on their music. This springs from a long history of artists being ripped off by the music business. George Clinton has long thought that musicians need to be more astute in business and finance and the Flashlight project aims to shine the light on some of the things that need to be put right in this area. I must agree, having noticed that artists can be their own worst enemies in this respect. They either dismiss business skills as unimportant or are not able or willing to do the basics in business. They simultaneously whinge about being ripped off by unscrupulous music industry managers. These elements are related of course, although some of my artist friends don’t see the connections, preferring to take the “victim” position … Check out the Flashlight Page.
I was delighted to present George with a copy of my book “The Music of Business“, which draws out relevant parallels in business and music. I also passed him a copy of my song for Prince, which is raising money for a Children’s Hospice at the moment. I hope he likes it’s funky tones and cheeky words! To read more on close encounters with George and the mothership, read One Night Alone … with George Clinton and Prince. The Academy Awards video is also well worth a look:
Clinton on the future
George has a book and a new album “First You Gotta Shake The Gate” out in October. Check the website for more details of these as they emerge. If you have never seen the Godfather of P-Funk, then check this performance out at Montreux:
Special thanks to Lois Action of Urban Unlimited for making all the arrangements. To Lee Philips and his team for making the film and Linda Vanterpool for valuable assistance on the night to ensure that our Director did not expire due to his chest condition ! 🙂
About the Author: Peter Cook leads The Academy of Rock – Keynote events with a difference and Human Dynamics – Business and organisation development, training and coaching. Contact via email@example.com 07725 927585
Let's talk Europe
Ideas worth exploring
The Metal Mag is an online Heavy Metal magazine with interviews and reviews
Riding the New Wave of Cultural Travel!
Poetry, Religion, History and Art
Your life is your EXPERIENCE, but you still share REALITY with others... and you always have choices!
Just another WordPress.com site
"just a guy from Scotland, talking about some stuff - hoping that people will listen"
Remembering what it was like to grow up in the '80s. www.my-eighties.com
Dope Blog For Music Junkies And Gig Addicts
Just another WordPress.com site
Life changing opportunities for the baby boom generation
Career and Life Success Strategies
inspiring personal growth through poetry and writing
News, reviews, interviews and more. From classic rock to contemporary folk.